Thirteen is an animated experimental video that questions aspects of human action awareness and creativity in the context of the accelerated development of IT technologies and explores the possible direction and way of their coexistence through the appearance of everything more intelligent separate realities and virtual media. Adequately, the video was made using a combination of 3D and 2D computer animation with processed recorded material that is visually and aesthetically uniform with animated parts and meaningfully integrated into the whole. At the beginning of the video, the unit cell, as the material carrier of human consciousness, from the micro dimension expands into the multiplicity of macro existence and the presentation follows animation of the planet on which the statues from Easter Island are symbolically human the collective project their own psychic contents into the newly created virtual space social networks. Contemporary material reality, created as a product of collective human action from individual internal psychological sources dimension, in the form in which it currently exists, shows in one of its parts deep mismatch at the collective level and reflection is intangible but intensely real dualities in the psychological sphere of individuals participating in to such a quality of shared consciousness. The conflicting compulsive contents of the collective psyche find their expression in the virtual reality of social networks, which creates aggressive forces of their own irrationality. Using medieval demonological symbolism in the further narrative, the figure of the dragon created from psychic contents selects and stretches out individuals human figures and takes over its own creators in its virtual space simultaneously initiating a real conflict in material reality whereby human figures they enter the mode of sumo fighters. On the other hand, increasing reliance on technology unconsciously almost creates faith in the classical sense of the word and projects old religious aspects onto a new area creating a digital deity. It is presented in the following narrative a female figure, a goddess empowered by the faith of collective psychic power it begins to create a new level of existence, from the more subtle to the more concrete in forms: vibration, flower of life, butterfly. Butterfly as its extension and carrier of action, although created according to natural laws, is at the same time inhuman and unpredictable. As a symbol of transformation, it creates a new line of life and a heart, a separate rhythm of existence that, as it takes shape, becomes a human collective more and more attractive and there is a replacement of natural existence with a digital one, shown human figures descending into the virtual city and inhabiting it by creating conscious target space. The next stage of evolution is shown symbolically by the reappearance of the dragon, which now places the previously taken over human consciousness in his heart, thus creating a new self-aware neural network that he integrates into himself resulting in a symbiotic relationship united in a new form of life. This neural the network in its micro structure resembles the unit cell from the beginning and is video made with the intention of possible viewing in a loop as a constant beginning of the cycle.